Monday, April 1, 2013

On That Note: What does it mean to “connect” with a song, or piece of music?


I know that you’ve been sitting on the edge of your seats waiting for the second
installment in this dialog…and here it is!

What does it mean to “connect” with a song, or piece of music?

Start with what is on the page.

Some singers start with the music, some with the text. I am a text person, however,
I will allow room for personal preference. If you choose to start with the music,
take note of all the markings and notations of the composer. This is the first step
in interpreting the intentions of the composer. Depending on your level of musical
proficiency, the score will offer great insight in terms of chord structure, mood
(based on major or minor keys), and reoccurring themes and motifs.

If you choose to start with the text, the obvious place to begin is to determine what
the librettist is trying to convey. In the case of an aria or musical theater piece, you
have to understand who the character is, what their intention is in the piece,
and what lead them to that intent. Even in Jazz and Popular music, the singer has to
understand the “story” and/or “intention” of a song. If you don’t know where you
are going, how can you expect an audience to connect with and join you?

I believe that great performances are created “in the moment”. However, an
authentic moment can only come from being fully prepared, and having done the
research that allows you to work from “beat to beat” in both the text and in the
music.

I believe that the same holds true for great dance performances. There is so much
more to dance than doing steps and moving to the music. Understanding the style
and era from which the music is drawn, again, provides a point of reference. The
same holds true of characterization, and the ability to connect with the music and
how it influences the way in which the story is being told.

Great artists have the ability to make countless hours of research and rehearsal look
effortless and immediate every time. That is the magic and the mystery of “being in
the moment”. And…On That Note…

I bid you Toi, Toi, Toi, till next time,

J. Rosalynn Smith-Clark


For me, the greatest moment in Opera of all time.  A "must watch" to the very end.