Joyce DiDonato discusses, not only the "how to" of singing, but the true meaning of being a singer. Covering the importance of both hard-work and finding the enjoyment in the art of singing, she shares her experience as an acclaimed mezzo-soprano with the students at The Julliard School. Art, in her opinion, is about immersing yourself in your craft, and seeking the strength within to allow yourself to create in a peaceful, loving headspace. Art isn't about being perfect and judging yourself up for your mistakes while growing. Life is art, and it is meant to be enjoyed. My philosophy is that art has to come from an honest place and should never be manipulative or contrived.
Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts
Thursday, September 26, 2013
Joyce DiDonato discusses, not only the "how to" of singing, but the true meaning of being a singer. Covering the importance of both hard-work and finding the enjoyment in the art of singing, she shares her experience as an acclaimed mezzo-soprano with the students at The Julliard School. Art, in her opinion, is about immersing yourself in your craft, and seeking the strength within to allow yourself to create in a peaceful, loving headspace. Art isn't about being perfect and judging yourself up for your mistakes while growing. Life is art, and it is meant to be enjoyed. My philosophy is that art has to come from an honest place and should never be manipulative or contrived.
Labels:
aria,
art,
artist,
Audra McDonald,
classical,
Joyce DiDonato,
Julliard,
Kathleen Battle,
Leontyne Price,
master class,
opera,
opera blog,
performance
Monday, April 1, 2013
On That Note: What does it mean to “connect” with a song, or piece of music?
I know that you’ve been sitting on the edge of your seats waiting for the second
installment in this dialog…and here it is!
What does it mean to “connect” with a song, or piece of music?
Start with what is on the page.
Some singers start with the music, some with the text. I am a text person, however,
I will allow room for personal preference. If you choose to start with the music,
take note of all the markings and notations of the composer. This is the first step
in interpreting the intentions of the composer. Depending on your level of musical
proficiency, the score will offer great insight in terms of chord structure, mood
(based on major or minor keys), and reoccurring themes and motifs.
If you choose to start with the text, the obvious place to begin is to determine what
the librettist is trying to convey. In the case of an aria or musical theater piece, you
have to understand who the character is, what their intention is in the piece,
and what lead them to that intent. Even in Jazz and Popular music, the singer has to
understand the “story” and/or “intention” of a song. If you don’t know where you
are going, how can you expect an audience to connect with and join you?
I believe that great performances are created “in the moment”. However, an
authentic moment can only come from being fully prepared, and having done the
research that allows you to work from “beat to beat” in both the text and in the
music.
I believe that the same holds true for great dance performances. There is so much
more to dance than doing steps and moving to the music. Understanding the style
and era from which the music is drawn, again, provides a point of reference. The
same holds true of characterization, and the ability to connect with the music and
how it influences the way in which the story is being told.
Great artists have the ability to make countless hours of research and rehearsal look
effortless and immediate every time. That is the magic and the mystery of “being in
the moment”. And…On That Note…
I bid you Toi, Toi, Toi, till next time,
J. Rosalynn Smith-Clark
For me, the greatest moment in Opera of all time. A "must watch" to the very end.
Labels:
advice,
African American,
aria,
artist,
Audra McDonald,
classical,
dance,
Honey and Rue,
journey,
Kathleen Battle,
Leontyne Price,
Opera Noir,
operaphile,
Puccini,
technique,
vocal coaching
Friday, March 15, 2013
Duke Ellington & John Coltrane - In a sentimental mood
Although I am a classical soprano, I was heavily influence by great Jazz, Soul, and, R & B female vocalists. I actually sang jazz in clubs in Pittsburgh, Pa for years to pay for my classical voice lessons!
I humbly offer, what I believe to be, one of the most beautiful songs ever written. Two legendary African American artists - Duke Ellington and John Coltrane -- came together to share their artistic gifts to express the spirit of an era.
Classic.
Labels:
African American,
artist,
arts,
Audra McDonald,
Billie Holiday,
black history,
classic,
Duke Ellington,
history,
J Rosalynn Smith Clark,
jazz,
John Coltrane,
Kathleen Battle,
Leontyne Price,
vocal coaching
Wednesday, March 13, 2013
Be My Love by Ivan Tolbert
Here is another wonderful performance by African American artist Ivan Tolbert. An incredible voice from a great performer. A talent like this needs to be shared with the world.
Opera Noir celebrates and supports you, Ivan!
Labels:
African American,
artist,
arts,
Audra McDonald,
Billie Holiday,
classical,
Duke Ellington,
opera blog,
Opera Noir,
performance,
performing arts,
Puccini
Tuesday, March 12, 2013
Ivan Tolbert singing On The Street Where You Live
I love this song. Opera Noir Emerging Artist, Ezekial McCarter did a fine performance of this number for the first Opera Noir Summer Intensive in 2011. I've had the pleasure of working with "Zeek" periodically over the past 2 years, and I am so pleased that he continues to evolve as an artist and a performer.
Zeek performs regularly at The Fillmore and the Boom Boom Boom in San Francisco. If your schedule allows, stop in and support this young "emerging artist!"
Labels:
African American,
artist,
arts,
Audra McDonald,
Billie Holiday,
jazz,
music,
opera blog,
Opera Noir,
performance,
vocal coaching
Monday, December 10, 2012
J. Rosalynn Smith-Clark Performing the "Honey & Rue Suite" with Dancers
Labels:
artist,
arts,
ballet,
choreography,
contemporary,
dance,
honey,
Honey and Rue,
jazz,
opera,
Opera Noir,
performing arts,
Puccini,
rue
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